Eric Dolphy emerged from the thriving mid-20th-century Los Angeles jazz scene and became an important player in the groups of Chico Hamilton, John Coltrane, and Charles Mingus. A highly-skilled musician who played alto sax, bass clarinet, and flute, Dolphy created a bracing, unique sound forged in both bop and the avant-garde that many consider to be his masterpiece, Out to Lunch, which displayed impressive strides in both his playing and compositional abilities.
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Andrew Hill, who died at the age of 75 on April 20, 2007, was a highly original pianist and composer who recorded a string of stunning albums for Blue Note in the short span of eight months, constructing his own musical universe, much like Blue Note predecessors Thelonious Monk and Herbie Nichols. His compositions, which employed…
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In this program we explore historical recordings of jazz artists and ensembles with string quartets, ranging from Artie Shaw’s augmented orchestra of the late 1930s to Max Roach’s “double-quartet”
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Tenor saxophonist John Gilmore, who influenced John Coltrane and helped to pioneer the challenging techniques of 1960s avant-garde saxophone, spent most of his career with Sun Ra and his Arkestra, recording outside of Sun Ra’s band on only…
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Pianist and composer Andrew Hill burst onto the jazz scene in the early 1960s with classic albums such as Black Fire and Point of Departure on the Blue Note label. Hill continued recording for the label throughout the 1960s, but many of the sessions went unreleased. After listening to the tapes last year with Mosaic producer Michael Cuscuna, Hill…
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“Strange Enchantment” is a program of Halloween-related jazz, including music from Duke Ellington (”Stalking Monster”), Bill Evans (”Witchcraft”), Kay Starr (”The Headless Horseman”), Rahsaan Roland Kirk (”Haunted Feelings”)and a very young Gil Evans with Skinny Ennis (”Strange Enchantment”) as well as tracks from…
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