Subscribe to theSuite History, Part 2: Michael McGerr on Ellington, Nelson, Carter and Marsalis
Original Airdate: February 11th, 2008
Historian and Indiana University professor Michael McGerr is a man whose scholarly knowledge and personal enthusiasms are infectiously wedded. In Part 2 of this Night Lights interview, Michael talks about the influence of Duke Ellington’s ambitious Black, Brown and Beige suite and the civil-rights movement on later composers who undertook extended black musical histories as well. Michael is a guest on this week’s show, Suite History: Duke Ellington, Oliver Nelson, John Carter, and the African-American Odyssey…
Trumpeter Cal Massey was an African-American jazz composer, little-known now and in his lifetime, but 
The jazz pioneers of the 1960s–artists such as Ornette Coleman, Albert Ayler, John Coltrane, Eric Dolphy, and others–all came up in the entertainment world of the 1940s and 50s, when what we know now as the Great American Songbook was taking hold in the musical canon. Although we think of these musicians today as groundbreaking innovators who abandoned traditional song form, they all knew it, respected it, and in many cases genuinely liked it.
